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Houses
No. 6 Roselius House
Today, house No. 6 is the only building still representing the old Böttcherstrasse. It is the nucleus of the “Böttcherstrasse idea” and remains an important component of the ensemble as a museum for Roselius’ private art collection dating from the Middle Ages to the early modern period.
No. 3-5 St Petrus House
With its traditional forms and materials, the row of houses strung out on the western side strongly defines Böttcherstrasse. The two architects Alfred Runge and Eduard Scotland created their magnum opus in Böttcherstrasse with this complex of buildings for use as shops, eateries and function rooms.
No. 2 Atlantis House
Named after the legendary island of Atlantis and designed by Bernhard Hoetger in 1930/31, Atlantis House is the structural representation of the utopian civilisation.
No. 4 The Glockenspiel House
Today’s Glockenspiel House was created from two neighbouring storehouses. It was the first project for the redevelopment of Böttcherstrasse and was realised by the two architects Alfred Runge and Eduard Scotland as commissioned by Ludwig Roselius at the heart of the period of inflation in 1922/23.
No. 7-9 HAG House/House of the Seven Lazy Brothers
With its traditional forms and materials, the row of houses strung out on the western side strongly defines Böttcherstrasse. The two architects Alfred Runge and Eduard Scotland created their magnum opus in Böttcherstrasse with this complex of buildings for use as shops, eateries and function rooms.
No. 1 Robinson Crusoe House
With the Robinson Crusoe House at the south-western end, Böttcherstrasse reaches its conclusion, both in terms of construction and time. Less than a year passed between the building application on July 11, 1930 and the final inspection of the interior on July 3, 1931. It is the least known house on Böttcherstrasse.
No. 8-10 Paula Becker-Modersohn House
Paula Becker-Modersohn House is a statement-making building that heralded in the second modernistic phase of the redevelopment of Böttcherstrasse.To this day,one hundred years after it was built, it is still used for its original purpose:as the world’s first museum dedicated to the oeuvre and commemoration of a female.
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